The question of where creativity and talent come from has always been an illusive topic of discussion. ‘Artists are born, not made’ and other famous phrases usually enter the conversation. It would seem without question that Roman Gelfer fits in the former category. At around the age of two, Roman became fascinated with clay. That was the beginning of his artistic life, which flourished until he was in his mid-teens, when every ounce of his creativity was stifled by the society in which he lived.

Born in 1952 St. Petersburg, Russia, Roman began life during

the repressive post WWII ‘cold war’ years. In the Soviet Union,

people were valued for what they could contribute to building

a strong labor force and army. Artists were not considered


Roman’s considerable sculpting talents came to the attention

of his father, and at the age of ten Roman was accepted into

the St. Petersburg School of Art, where he studied at night

after his traditional education classes ended.

“I was so shy, I would never have applied on my own” Roman admits. But one look at Roman’s sculptures his Father had brought to show the school, and he was accepted on the spot. Roman had no idea his life was about to change forever.

For the next few years, he reveled in every new discovery, and became proficient in many different media. He found that sculpture suited him best, and there he excelled, until 1968, when Roman’s father received a new job assignment, and the family had to uproot and move to a different town too far away from the art school for Roman to continue.

As suddenly as the door to his artistic life had been opened, it was now closed shut. The new location was far removed from the more sophisticated and refined St. Petersburg. It was a working class suburb that had no use for art and artists, and kids his age didn’t think much of Roman Gelfer, the quiet, introverted artistic young man. The object of bullying and constant ridicule, his peers were tough street kids with attitude.

Self-preservation made Roman finally succumb to the societal pressures forcing him to ‘belong.’ By his late teens, Roman totally stopped doing any art, and had given up his dreams of becoming an artist. He began drinking and failing in school, feeling that he couldn’t fit in anywhere. “In retrospect, I think I was close to a nervous breakdown” Roman remembers.

Thankfully, his father intervened and put Roman in a Navy college where he was able to get a much better education. “I learned to build engines, create blueprints, and essentially become an engineer. But I never went back to my art--that was over for me.”

A constant pawn of the society and times in which he lived, this era in the early 1970s Soviet Union saw Jewish people leaving Russia, and his father realized they had to start making preparations to leave the Soviet Union, while it was still legal to get visas. Roman’s parents were able to get him out of the Soviet Union and he flew to Vienna, where he began a new life. Another door had opened again.

At that time, the Jewish Federation supported people fleeing Soviet repression, so Roman was able to move to a tiny village near Rome. “I could actually go to a museum and see art. All these waves of appreciation and beauty overwhelmed me. The architecture, the statues, the frescoes, the paintings. It was the best time of my life. I loved this country so much because there was so much art.”

In 1976 when it came time to get his parents out of the Soviet Union, he soon discovered there was only one country that would take him and his aging parents—and that was the United States. When his parents left the Soviet Union, the state took everything from them. No possessions were allowed to leave the country. “Everything belongs to the state,” they said, even his parent’s wedding rings. “You are stateless.”

“So all I can say is God Bless America, because it was the only place that would take us permanently. A country like this who will take everyone--it was amazing. As impractical as it is economically, it is the humanity that prevails.”

After Roman arrived in Los Angeles, his background with machinery and engineering gave him job opportunities, and he also went to a computer school for a year and a half, where he became a computer tech supervisor. Through the years, illness and depression slowed him down until he had to stop work, and then Roman and his wife finally received an apartment in one of WHCHC’s buildings.

“One day about 3 years ago, my wife suggested I try taking up my art again” he remembers. At first, even the thought of it was unimaginable.” But eventually he did try his hand at drawing and watercolor, and found that those long lost feelings of passion for art were coming back.

Today, Roman Gelfer is finally able to become the artist he was meant to be. “The artist’s brain comes in waves” says Roman. “Sometimes I can’t work for a week, and then it comes again. I love very precise work, and incorporate a lot of details into my painting, but with watercolor the fun is in never knowing exactly how things will turn out.”

Roman has won two competitions already, and he has a web site to showcase the hundreds of paintings he has done over the past 3 years, but the next step is to be part of a show and see where that leads him. “Winning competitions only makes me work harder!”

Slowly Roman is rediscovering the long-lost talents he thought were gone forever. He is finally able to retrieve and nurture that shy little boy inside who was so in love with making art.

West Hollywood Community Housing Corporation

7530 Santa Monica Boulevard 
West Hollywood, CA 90046
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